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- An Idyl Of The East Side 1891.
- La Divine Comedie by Dante.
- Où placer son argent ? : Epargner ou investir : Connaître, comparer et choisir les bons produits (Hors collection) (French Edition);
Dust cover is intact; pages are clean and are not marred by notes or folds of any kind. Volume v. Lang: - ger Vol: - Volume v. Pages John King of Saxony. Very Good. Disclaimer:A copy that has been read but remains in excellent condition.
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Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. Lang: - spa. Lang: - ger Pages Lang: - dan Pages Metrisch u bertragen und mit kritischen und historischen Erla uterungen versehen von Philalethes pseud. Lang: - Danish Pages It is a passage from one world to another. The title of the collection indicates and summariz..
Poetare: Quaderno Sesto. Scritto come se fosse un quaderno digitale e denominato quaderno sesto, si appresta ad essere il sesto di una collana di quaderni di poesie. The Collected Poems of Lucio Piccolo. These brilliant translations will serve to introduce a whole new sensibility to Anglo-American readers. And we find yet more: a welcome clarification, f.. Dante's Rime. Spanning the years from the early s until about , this collection of poems contains Dante's juvenilia as well as his more mature work prior to the Divine Comedy.
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Patrick Diehl's translation offers in a single volume the bulk of Dante's shorter poetry. The collection, omitting only those poems Dante incorporated into the Vila nuova, contains several masterpieces of medieval poetry and gives us a fascinating look at the poet's development. Originally published in The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press.
Selected Poetry of Andrea Zanzotto. Born in Pieve di Soligo Treviso in , Andrea Zanzotto is the author of five books of poetry, a number of critical essays, and a book of prose. His work has been described as innovative, intellectual, and elegant. The distinguished translators of this volume, Ruth Feldman and Brian Swann, have selected poems from Zanzotto's published work, providing English translations that appear on pages facing the Italian text. These editions preserve the.. Tome 2. Tome 2 Dante Alighieri; traduit par Rivarol; publ.
David] br Date de l'edition originale: br Collection: Bibliotheque nationale br br Ce livre est la reproduction fidele d'une oeuvre publiee avant et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.
L'enfer Dante Alighieri; traduit en vers par tercets conformes a ceux du texte par Hyacinthe Vinson, de la Gironde br Date de l'edition originale: br br Ce livre est la reproduction fidele d'une oeuvre publiee avant et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. The works in this collection have been digitized by the BnF and are presented on Gallica, its digital library.
By reviving these works through a collection of books reprinted on demand, we give everyone the opportunity to participate in the transmission of knowledge which is sometimes difficult to access. We have tried to reconcile t.. Le Grandi Poesie Italiane - Volume 2. Eccoci al secondo volume de "le grandi poesie italiane," una ennesima raccolta di grandi poesie dal medioevo alla meta del novecento.
Second issuance of the first edition with a portrait of Dante.
With a fine woodcut title page and 96 woodcut illustrations, including three full-page, 77 large cuts in the text, and numerous head- and tailpieces. Printer's woodcut device on the final leaf. Folio x mm , in a binding of handsome contemporary antique Italian vellum over boards. Original calligraphic titling on the spine panel in Renaissance style. A copy in a pleasing state of preservation.
The text leaves are crisp quite clean, with just a few normal blemishes here and there. Some typical toning to a few of the quires as is normal with the printing of this book. Only the most occasional of the usual spotting of staining. Dante portrait outlined in pen.
This is the highly important edition of Dante edited by Francisco Sansovino, incorporating two commentaries: that of Christoforo Landino, which first appeared in the Florentine edition of , and the noteworthy commentary of Alessandro Velutello, first published at Venice in The volume includes extensive introductory matter by all three commentators, and a running commentary that virtually overwhelms the poem itself. The woodcuts in this edition are taken from those in Velutello's edition of and represent a departure, both iconographically and stylistically, from those in the Brescia, edition--they appear more accomplished and more confident in execution.
Francesco Sansovino recovered Vellutello s commentary, never printed in Italy again until this time except for a Lyonese reprint of This edition, printed here first in , is very important because it is richly illustrated with many woodcuts taken from the edition of printed by Marcolini. The portrait of Dante on the title-page, inspired in Vasari s tradition, is very famous and this edition is in fact commonly know as of the big nose.
The sources of the portrait have probably to be found in two paintings by Vasari, now at the Oriel College of Oxford and at the Museum of Fine Arts in Cleveland. Editore: Antonio Zatta, Venezia Da: Bromer Booksellers, Inc. Descrizione: Antonio Zatta, Venezia, Illustrated throughout with engraved plates, by F.
Giampiccoli, J. Magnini, F. Rizzi, and B. Schiavoni, and G. Also with numerous engraved illustrations, vignettes, and a folding genealogy. The set opens with a stately engraved portrait of the Empress and a dedicatory page with a sonnet composed by the editor, Count Cristoforo Zapata de Cisneros. The text includes a biography of the poet and annotations by scholars P.
Pompeo Venturi and Gio. Antonio Volpe. According to an catalogue from Bernard Quaritch, this set was considered by the Italian literati at the time to be the most correct version of Dante's works, and "the annotations by Venturi and Volpi are especially esteemed. Spine in six compartments with raised bands, gilt-titled in two and richly ornamented with gilt tooling in the remaining four. Wear to corners and bottom edge, else a fine set. Bernard Quaritch, New Series No. Editore: A. Strahan for T. Cadell, London Da: Whitmore Rare Books, Inc. Descrizione: A. Cadell, London, First English language edition.
A lovely set of the first complete translation into English of Dante's "Divine Comedy. Bohn" not later than Boards ruled in gilt with a blindstamped mosaic border, raised bands with decorative gilt and titling on the spine, all edges marbled, with marbled end-papers. Spines a little faded and trivial flaking along the outer hinges, but a fantastic set in an unrestored and strictly contemporary binding. Three 8vo volumes pages x mm , taller than many copies, collating: vi, , ; [ii], 56, [ii divisional title ], , complete ; [ii], pp.
A few pages very slightly foxed, but on the whole a Fine set internally and with only trivial wear on the original bindings. One of the world's great masterpieces and a foundational text of Italian literature. The Comedy took over a decade for Dante to write, he worked on it in exile, having been sent out of his native Florence in , when his political faction fell out of favor.
The work's genius was quickly recognized -- Boccaccio himself was so obsessed with it that he was responsible for adding the prefix "Divine. Eliot, and James Joyce. Borges claimed it was "the best book literature has achieved. His translation would help bring Dante back into literary circles after he had fallen by the critical wayside in the aftermath of the Renaissance and Enlightenment. The "Divine Comedy" soon regained its popularity; before the 19th century was up Longfellow would also try his hand at a translation and William Blake would make drawings of some of its more famous passages.
Descrizione: Condizione: discreto. Several leaves are supplied from another slight shorter copy. Lacking also the 6 blank leaves. In this copy are not present illustrations usually present in cantos I-II of the Inferno in the most part of copies , here the leaf with beginning of canto I is trimmed under the layout of text at bottom where the illustration was expected to be placed and the leaf b1 with beginning of canto II is lacking.