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Sondernummer , on the occasion of the film's revival, 1 June Autera, L.

————— OLD NOTES—————-

Bartetzko, Dieter, Zwischen Zucht und Ekstase. Mann, Berlin, , Harbou, Horst von et al. Images d'un tournage , Le Centre, Paris, , p. Series - Photo copies, 3e. Photographic reproductions of originals by Horst von Harbou. Series - Biblioteca de ciencia ficcion, Jespersen, A. Crowell, , 78p. Martin's Press, New York, , p.

Moroder talks about his restoration of Metropolis. Olive, J. Oms, Marcel, et al. Ozer, Jerome ed. Includes a compilation of reviews of the Moroder version of Metropolis. Sturm, Georges, 'L'ombre d'un double ou la maman et la putain. Analysis of the film and its sources, along with the women in the film and their doubles. English translation of the article. Bilder aus den zwanziger Jahren , Suhrkamp, Frankfurt, , Reprint of original review.

Kreimeier, Klaus, 'Der Schlafwandler. Photographs by Horst von Harbou.

Exhibition catalogue. Translated by Richard Deveson. Conway], Polity Press, University of Minnesota, , p. Originally published Germany Edwards, Gregory J. Harbou, Thea von, Metropolis , Donning, Norfolk, , p. Leather bound limited edition, and paperback. Illustrated by Michael Kaluta.

Review of the Metropolis play as performed in London. Deppermann, Maria, '"Femme machine. Klugsberger and G. Whitlan eds. Duff, Richard, Metropolis Program book for the musical play Metropolis. Music by Joe Brooks.


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Review of Metropolis play. Peling, M. Fictional account of Fritz Lang and Thea von Harbou's final months together in , with some references to Metropolis. Sesti, Mario, Fritz Lang. Telotte, J. Reproduced in Telotte Kerman ed.

Rereading Schleiermacher: Translation, Cognition and Culture

Der Kritiker als Mitproduzent. Hopkins ed. Zagula, J. Carlson, J. Clarke, I. Kreimeier, Klaus, Die Ufa-Story. Filmmusik live als neues altes Filmerlebnis? Ufa-Magazin Nr. Benson ed. Lathers, M. Martin, C.

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Rutsky, R. Mahoney, Dennis F. Kniesche and Stephen Brockmann eds. Thomsen, Christian W. Bertellini, Giorgio, 'Restoration, genealogy and palimpsets. On some historiographical questions', Film History , 7, , Carli, P. Fulton, Elizabeth J. The forces of evil reach a demoniac climax with the arrival of Markway's wife, Grace Lois Maxwell , a practical, down-to-earth woman who wants her husband to give up his experiments. To prove her own disbelief, she prepares to spend the night in the nursery which previous experiments have shown to be the psychic heart of the house.

At midnight, roaring, screaming waves of rage crash through the house. And, finally, Eleanor faces the truth. Hill House is no longer but a writhing, hissing organism. It is calling Eleanor's name. Will she answer the chilling invitation?

Claudi by Jaume Cabré

Nelson Gidding wrote the screen play, with the picture's eerie music composed and conducted by Humphrey Searle. The screen has seen all sorts of thrillers and chillers, but never a picture like "The Haunting. It is haunting entertainment at its best. Directed by Robert Wise. Screen Play by Nelson Gidding.

Susan Tegel, Nazis and the Cinema

Music Composed and Conducted by Humphrey Searle. Director of Photography: David Boulton. In Panavision. Production Designed by Elliot Scott. Special Effects: Tom Howard, F. Edited by Ernest Walter. Assistant Director: Dodd Tomblin. Claire Bloom's Clothes by Mary Quant. Hairdresser Joan Johnstone. Make-Up by Tom Smith. Associate Producer: Denis Johnson. Recording Supervisor: A. Dubbing Editor: Allan Sones.

Dubbing Mixer: J. Sound Recordist: Gerry Turner. Casting Director: Irene Howard. Continuity: Hazel Swift. Sketch Artist: Ivor Beddoes.