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Clandestino - Peter Culshaw - - Allen & Unwin - Australia
May not contain Access Codes or Supplements. May be ex-library.
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Buy with confidence, excellent customer service!. Seller Inventory More information about this seller Contact this seller 5. The others turned on Manu, and when they refused to let him keep the name Mano Negra to use for another outfit, he thought his career was over. And he had also split up with his long-term girlfriend.
He spent the next three years on an extended "lost weekend", pinballing around the world, traveling throughout South America and to west Africa, depressed and often suicidal. For three years, between and , he was missing-in-action, a nomad playing the bars of Rio and Tijuana, experimenting with peyote in Mexico City, entertaining the children of insurgents in Chiapas in Mexico. A supporter of the Zapatistas, he went on to sample the voice of the charismatic activist Subcommandante Marcos on Clandestino.
Only following a motorbike ride from Paris to the greenness of Galicia with his father, the writer Ramon Chao, did he slowly return to sanity. But all the time, he had also been writing songs.
It was pure therapy. Back in Paris he met a sympathetic musical co-pilot called Renaud Letang , and the duo sifted through scores of songs before settling on the tracks that became Clandestino. Manu at the time was fascinated by electronica, and the first version was heavy with dance beats.
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But one day, Letang's computer got a bug which stripped out most of the electronics and drums, leaving the music spare, naked and beautiful, like an old painting cleaned of years of dirt to reveal a masterpiece. They tried different different mixes on the children, aged three and six, who lived next door. The duo felt they were on to something but it didn't sound like anything they had heard before.
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- Clandestino: in Search of Manu Chao, by Peter Culshaw, review.
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Most music professionals thought the album would sell a few thousand to Mano Negra fans, although its lack of rock energy might alienate them. There was no band to promote the album, it didn't fit into radio station formats, and mainstream broadcasters used the drugs references on tracks like Welcome to Tijuana as an excuse not to play it. Manu felt it was his swansong, and it initially looked that way, reaching No 19 in the French charts before it stalled.
But Virgin's low-key marketing of the album, with its anti-consumerist aura, let fans discover it for themselves. It initially became the soundtrack of choice for backpackers in hip beach destinations like Koh Samui in Thailand and Puerto Escondido in Mexico — its bitter-sweet quality perfect for the moment the sun goes down.whitelabel.tradetoolsfx.com/includes/map.php
Clandestino: In Search of Manu Chao – The Arts Desk
A full year after its release, it entered the French Top 10 and then stayed in the charts for the next four years. Receive weekly and enchanting musical updates straight into your inbox - and it's free! Your email address will not be published. Even a bit of magic had some part to play in the genesis of the album as a technical glitch is responsible for the all-acoustic nature of Clandestino : In the end, it was an accident that made up his mind and changed the course of the album, his career and his life.
Manual Clandestino: In Search of Manu Chao
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